directed by Giancarlo Cauteruccio

with Fulvio Cauteruccio, Domenico Cucinotta, Roberto Visconti, Carlo Sciaccaluga, Francesco Arghirò

to the accordion Francesco Gesualdi

music Ivan Fedele

scenes André Benaim

costumes and images Massimo Bevilaqua

In the book "Un Uomo", Oriana Fallaci shows that the freedom of a single individual can truly block the system, blow up the certainties of a totalitarian regime, expose and perhaps overcome, the miseries  belonging to those who are  essential to each regime. It is this will of the imagination that Alekos' Prisoner wants to stage, the space of Alexandros Panagulis' fantasy, dream and hope. The Eros of creation is always subversive, libertarian, revolutionary. History therefore takes place during the tragic crumbling of democracy in Greece, in the midst of a metaphorical collapse of the scenery, which explodes invading both the parterre and the audience. A broken and misaligned grid, the image of a prison, of a broken and dangerous order. Everything seems to suggest the possible repetition of history and the sinister topicality of the subject.